First, I'm going to apologize (because that's what I do); I usually like to be a little more optimistic than I think this post is going to sound. But it's Monday and life is again real, and these florescent lights are a little more irritating than usual.
One of the most boring things to me is when writers write about what just happened on TV. There was a MAJOR plot twist in The Good Wife! Somebody got annihilated on Game of Thrones! Robin Williams voices the genie AND the merchant at the beginning of Aladdin! (Just go with it.) What does it meeeeeaaannn?
Who is reading this shit? (Probably a lot of people, hence the articles' existence and their many accompanying advertisements...)
I don't particularly care about spoilers, though I do think it's odd that some people seem to need so strongly to blab. But I'm not really the kind of reader/watcher who gets upset knowing the basic plot points or even 'major' twists (I enjoyed Titanic just fine, thank you); and at least as far as mainstream TV is concerned, you can see a lot of these things from miles away. Like the Chekhov rule, when a gun is introduced to the story you can bet your ass it's getting fired. But I'm probably in the minority here; I can certainly understand people not wanting details given away.
So if you didn't watch the show, there's absolutely no reason to read the recap and plenty of reasons to avoid it. If you did watch the show, there's still no particular reason to read the recap. Other than to be told what it all meant, what it could have possibly meant, who did it, why did they do it, who else might have done it, where do we go from here, what was the setup, what's the fallout...these are all things the talented writers who created these shows are already doing for you, and will continue to do for you as you watch their story unfold. I get the desire to talk about it all, but it's not a need (just a very strong desire to not feel so lonely in this world...sorry, sorry that's the existential psychiatrist in me).
Most shows that make it to the popularity of things like Game of Thrones/Mad Men/The Good Wife/True Detective/whatever are there because, on some level, they are great and created by talented people. You should be damn sure that these talented people usually know how to make all things unfold with time (unless it's Lost and everybody's just making up nonsense), and eventually they make you realize that what happens isn't nearly as fun or important as why something happens and why the characters involved are so interesting.
I think this is the right moment to say what anyone reading this likely already knows: I'm way more of a reader than a watcher. So feel free to tell me that I'm perfectly capable of ignoring articles I find boring. You are correct. But should I have to? I don't know exactly what it says about our silly First World that two of the four main-slot articles on today's theatlantic.com are about TV shows, but I don't think it's entirely good. I know I can swim to safer Internet waters, but sometimes the thought of doing that is like standing in the supermarket's soup aisle confronted by a thousand different versions of tomato soup, and I haven't even looked at other kinds of soups and already I just want a fucking blanket and a pacifier...
Actually, I think I'm going to read outside. This has been Melvin Ralsh's florescent Monday morning; 'til next time, folks!
No comments:
Post a Comment