Somehow I've made my way back here to Internet Writing Land. Things look terrible; they also look occasionally wonderful. It seems like we have everything, though in ten years our everything will have been chucked into the garbage and we'll have a new set of even more of everything. It's hard to know where anything begins.
I was going to link to articles or stories that lately have rattled my soul in one way or another, but if you're up for it I'd much rather have you stay here for a few minutes if you can follow my brain's logarithmic spiral. I'm no neuroscientist, but I do work with a few, editing some of their reports and trying to make them sound like more normal humans. This is surely not news to you, but our brains are pretty ridiculous, and I have a lot of fun learning something new about them every day. Our brains are frighteningly powerful, and almost unimaginably fragile.
Brains are phenomenal at attaching human meaning to things, and this is great because without them we wouldn't be the only humans (that we know of). But they also attach meaning to shit that is simply not there, because it is so easy for the Brain to do. The big problem is that it becomes particularly hard to accept that in a chaotic, ever-expanding Universe, accidental things happen that don't necessarily have any universal meaning. I'm remembering now a powerful quote from a former Marine in Ken Burns' fantastic documentary The War, talking about the very young idealistic soldiers who came into his unit at one point. He said, "They honestly thought that if you did Good you would be safe and get rewarded. They had no idea of life's accidents."
Maybe you're like me and you have trouble coming up with things that are always Good, given every context. Or things that are always Right, or Wrong. Everything has a context; things may look the same, but only to us in a given moment. Probably without even knowing it, the greatest trick our Brains play on us is the very convincing idea that any one emotion will last infinitely. Our perception of stuff can change dramatically based only on how much sleep we got the night before. If the frontal lobe runs low on the fuel it gets from a decent night's sleep, you start having trouble distinguishing between past and present emotions; and folks' brains with more extreme sleep deprivation start convincing themselves they live in an "eternal present" according to one study I proofread.
It's with all these things in mind that I try to keep big, cosmic-seeming events from boiling over in my Brain. Though this is very hard and some days it just doesn't work. But it's important to try, especially when it seems hardest, because without trying your Brain retreats into what it's pre-programmed to do, which is to find patterns and keep itself alive at all costs. This is the difference between our Brains and a whole lot of other animal Brains we've studied. We get the opportunity to try very hard to find the context that shapes whatever it is that has happened; if you don't do this, you risk getting your Brain caught in easy loops, running deep grooves that can take generations to wash away.
One real deep groove that we're having a whole lot of trouble washing away is this constant narrative of Us vs. Them. Whenever something frightening happens, especially now that media and opinions are ubiquitous things, the collective InternetBrain whirrs alive and starts churning out lowest common denominator horseshit, stuff that you might notice isn't a whole lot different from major motion picture blockbusters. Some people claim this is the big bad media attempting to control us via fear, and there is probably some truth to that, but it's also likely that it's as simple as folks in control noticing how many billions of our dollars we pour into Us vs. Them-type entertainment, so why not make the "real" news look the same? It's almost a little too easy.
Unless I have a beer in one hand, popcorn in the other, and my feet up on a coffee table, Us vs. Them narratives either make me uncomfortable or are plain boring; it seems so obvious that the truth is always way more nuanced. I really think most people know this on an individual level. Put people face-to-face, and I honestly believe a majority of folks from all walks of life would treat each other with respect and love, sharing emotional similarities while learning about cultural differences. This admittedly feels a little naive spoken by what on paper is a suburban-raised white kid who was lucky enough to attend a private university. Then again, if that's all somebody decides to judge me on, they're making exactly the kinds of mistakes I'm trying to be aware of myself.
Collectively, though, we've got some strange new issues to confront, to go along with plenty of old ones. What's becoming clearer to me is how often I need to take breaks from Internet Reading & Writing Land. The overabundance of opinions (and opinions about opinions) isn't just exhausting, a lot of it is basically meaningless. This doesn't mean you can't find remarkable stuff out there--of course you can. We've got pretty much everything available (or what we think right now is Everything), but what's happening at this moment in Time is a whole lot of people needing to scream and shout that, Hey! Everything's Here! There's no filter! AHHHHHHHHHH!"
Don't worry too much; I think we'll grow up sometime. After all the U.S.A is still basically a baby at 200+ years old or something. My plan is to let 'em keep on chuggin', anyone who thinks they've got It All figured out. Follow me into the abyss if you like: Dare to be confused! Bask in the glow of unfixed opinions! It's a little dark in here, but to me it's like the clandestine moment in a theater when the lights finally go poof and the chattering crowd around you disappears. Now you can be yourself, nobody's watching.
Now, if you've made it this far, go grab a copy of Denim Skin #3 and dive into the first half of a new short story of mine called "The Old You." Do it!
Melvin Ralsh
DFW
"They can kill you, but the legalities of eating you are quite a bit dicier"
05 February 2015
21 November 2014
The slippery middle ground
I'm a big proponent of balance. I think probably most people are, too, if you get them to open up enough. Somehow I kind of doubt most people enjoy being one-sided and ornery; certain things kick up your dander for a bit, but once the crazy emotions subside you realize it's much more beneficial (and feels good for longer periods of time) when you come to a reasoned, balanced viewpoint.
I'm usually hesitant to write at any lengths about political stuff because, A. I don't follow it all that closely, B. I don't usually have firm opinions (I'm almost always able to see reason in multiple points of view), and C. what political knowledge I do have comes from The West Wing, which (although awesome) is not real.
So I'm not going to write at length about political stuff. I'm just going to re-post President Obama's speech last night on immigration, because I think it's one of the more thoughtful and balanced responses to a contentious issue that I've heard in a while. Try, even though it's hard, to block out all the one-sided opinions this speech will bring out of the woodwork and simply listen to the words. (Or, read them, here's the transcript). Entertainment thrives on winners and losers, one party vs. another, and those things are fun in the right context. But when it comes to serious stuff, me vs. you is not just boring, it's insane. Think about why sportscasters and athletes are always only able to say the same things over and over...
For some reason it seems like a lot of folks dislike President Obama (despite the economy not imploding, gas being under $3 a gallon, more of our troops being at Home and not abroad...the list goes on) but I'm again not really sure about what it seems like. It's tough being moderate. Everybody's shouting at you to pick a side, when the real world isn't me vs. you. What it seems like is a lot of loud people with rigid opinions not liking him.
The thing about loud people is that they shout because they don't want to give anyone the time to stop and think about what it is they're actually saying.
Alright I wrote a little more than I intended; please feel free to yell about that.
I'm usually hesitant to write at any lengths about political stuff because, A. I don't follow it all that closely, B. I don't usually have firm opinions (I'm almost always able to see reason in multiple points of view), and C. what political knowledge I do have comes from The West Wing, which (although awesome) is not real.
So I'm not going to write at length about political stuff. I'm just going to re-post President Obama's speech last night on immigration, because I think it's one of the more thoughtful and balanced responses to a contentious issue that I've heard in a while. Try, even though it's hard, to block out all the one-sided opinions this speech will bring out of the woodwork and simply listen to the words. (Or, read them, here's the transcript). Entertainment thrives on winners and losers, one party vs. another, and those things are fun in the right context. But when it comes to serious stuff, me vs. you is not just boring, it's insane. Think about why sportscasters and athletes are always only able to say the same things over and over...
For some reason it seems like a lot of folks dislike President Obama (despite the economy not imploding, gas being under $3 a gallon, more of our troops being at Home and not abroad...the list goes on) but I'm again not really sure about what it seems like. It's tough being moderate. Everybody's shouting at you to pick a side, when the real world isn't me vs. you. What it seems like is a lot of loud people with rigid opinions not liking him.
The thing about loud people is that they shout because they don't want to give anyone the time to stop and think about what it is they're actually saying.
Alright I wrote a little more than I intended; please feel free to yell about that.
14 November 2014
Pay Attention, Read, Think, Thank You
There are days when I'm convinced everyone's crazy--I'm sure you've experienced this sensation--when in reality I'm just paying attention to the wrong things. Probably I'm a little bit crazy.
I was at a Halloween party and overheard somebody, drunk, say, "Literature just ain't what it used to be!" which is a truly awesome thing to say. I'm assuming they meant that literature is no good now, compared to...who knows when. But part of me wants to believe they were making a literal comment on the fact that 'literature' (whatever that all encompassing word even means) is constantly evolving. In which case, yes, people alive and writing now are certainly different people than those who wrote before. Well said!
But without booze in the veins, thinking less cynically/sarcastically, I'm now choosing to focus on the fact that at a Halloween party, with sobriety compromised, somebody was talking about books. Neat!
Anyway, should you ever find yourself of the opinion that today's writing isn't on par with the great writers of the past, just know that you are crazy and have probably completely given up searching, which is sad. I try to read and write every day; while I don't think everybody really needs to do that, if you are going to have bold, all encompassing opinions (that party was not nearly the first time I've heard the "ain't what it used to be!" argument), you really ought to go out and read a ton first.
So I figure I should share some of the billion wonderful stories I've stumbled on over the years--here's a start with something from The Kenyon Review from 2003. This story is about two Turks running a struggling pizza and kebab shop in Dresden fifty years after Allied planes pretty much erased the city. They encounter neo-Nazi skinheads and drunks who defile their restaurant on a nightly basis. Then they meet one otherworldly young woman.
As far as I'm concerned these are real characters, written ferociously one minute, then intensely compassionate the next. Check out some of these sentences:
"When one of the skins came into the shop, Amar felt the hummingbird in his ribs trying to fly its way out. The skinhead’s vomit-brown pants were ripped from knee to foot, he smelled of kerosene, and he had tiny beads of dark blue in the piss-yellow whites of his eyes."
"Dresden, parts of it with a new veneer of cobble and mortar, except everyone knew about the cracks underneath and, more important, about how the stones had not been sturdy enough before. Dresden, with its streets snaking through his veins, from the days when he pushed the lunch cart, which had become the restaurant, which threatened to become a bankruptcy of empty bricks. Dresden, and Amar never even went to the church, which the Germans refused to refurbish, where the angels still kept their broken faces, but he knew all about it. After Amar put Benji to bed, those angels wrinkled up their concrete half-noses at him as if they were about to whisper. Amar was not sure if it were he or their rubbled tongues that never allowed them to speak."
"How at night Amar took Benji home and made him dinner and cleaned his corduroys and played imaginary games with a child’s rules, flexible and fantastic, as if every event would turn out OK as long as Benji had a little more time to think."
Anyway, swim on over and READ: Daniel A. Hoyt's 'Amar' in The Kenyon Review.
I was at a Halloween party and overheard somebody, drunk, say, "Literature just ain't what it used to be!" which is a truly awesome thing to say. I'm assuming they meant that literature is no good now, compared to...who knows when. But part of me wants to believe they were making a literal comment on the fact that 'literature' (whatever that all encompassing word even means) is constantly evolving. In which case, yes, people alive and writing now are certainly different people than those who wrote before. Well said!
But without booze in the veins, thinking less cynically/sarcastically, I'm now choosing to focus on the fact that at a Halloween party, with sobriety compromised, somebody was talking about books. Neat!
Anyway, should you ever find yourself of the opinion that today's writing isn't on par with the great writers of the past, just know that you are crazy and have probably completely given up searching, which is sad. I try to read and write every day; while I don't think everybody really needs to do that, if you are going to have bold, all encompassing opinions (that party was not nearly the first time I've heard the "ain't what it used to be!" argument), you really ought to go out and read a ton first.
So I figure I should share some of the billion wonderful stories I've stumbled on over the years--here's a start with something from The Kenyon Review from 2003. This story is about two Turks running a struggling pizza and kebab shop in Dresden fifty years after Allied planes pretty much erased the city. They encounter neo-Nazi skinheads and drunks who defile their restaurant on a nightly basis. Then they meet one otherworldly young woman.
As far as I'm concerned these are real characters, written ferociously one minute, then intensely compassionate the next. Check out some of these sentences:
"When one of the skins came into the shop, Amar felt the hummingbird in his ribs trying to fly its way out. The skinhead’s vomit-brown pants were ripped from knee to foot, he smelled of kerosene, and he had tiny beads of dark blue in the piss-yellow whites of his eyes."
"Dresden, parts of it with a new veneer of cobble and mortar, except everyone knew about the cracks underneath and, more important, about how the stones had not been sturdy enough before. Dresden, with its streets snaking through his veins, from the days when he pushed the lunch cart, which had become the restaurant, which threatened to become a bankruptcy of empty bricks. Dresden, and Amar never even went to the church, which the Germans refused to refurbish, where the angels still kept their broken faces, but he knew all about it. After Amar put Benji to bed, those angels wrinkled up their concrete half-noses at him as if they were about to whisper. Amar was not sure if it were he or their rubbled tongues that never allowed them to speak."
"How at night Amar took Benji home and made him dinner and cleaned his corduroys and played imaginary games with a child’s rules, flexible and fantastic, as if every event would turn out OK as long as Benji had a little more time to think."
Anyway, swim on over and READ: Daniel A. Hoyt's 'Amar' in The Kenyon Review.
07 November 2014
Down in Ol' Virginny
Ms. Melvin Ralsh and I are taking a trip down to the homeland, Fairfax, VA! It's been a little while since I've been back home. I'm a bit of a Civil War nerd and for some reason didn't nearly appreciate the historical turf I grew up on while I was there. One of the first major skirmishes of the war happened at the Fairfax City Courthouse, only a couple miles from my parents' house. During that skirmish, the first Confederate officer was killed, and Quincy Marr Drive in my subdivision is named for him.
Anyway, I wrote this short story as a fun exercise, and it's moderately based on that courthouse skirmish, though is mostly fiction. Check 'er ouuut.
Home Again
by Kevin Walsh
Anyway, I wrote this short story as a fun exercise, and it's moderately based on that courthouse skirmish, though is mostly fiction. Check 'er ouuut.
Home Again
by Kevin Walsh
On the
occasion of I find myself here on this besparkled floor of the formerly Fairfax
County Courthouse turned battalion headquarters, here with my fine brother who
may soon bleed to death.
Well
the first thing we did was disobey Pa, who has this terrifying way of getting
angry only in short bursts of the most intense fury. Reminds me of like the
time me an’ Gilly forgot whose turn it was to milk Henrietta, for like a week,
then there was that awful mess. Anyway Pa made it perfectly clear enlistment
was not an option of viable character, owing to there was so much to be done
around the farm anyway what with us forgetting milking as it is, and so forth;
and furthermore we weren’t even technically old enough to be enlisting. But we
did anyway.
The
Rebs aren’t exactly bursting at the gullet on a banquet of able-bodied boys,
but it’s early yet. Both sides still hanging back at the barndance, too scared
to mingle more than a few whoops and hollers. Of course you got the seriously
better funded Union boys yonder ‘cross the river with actual ammunition fer
their guns, which is what one might call Essential.
So no way the Johnnie Rebs were about to turn down a couple able-bodied farm boys
with finely tuned arms and legs.
So
Gilly and I we sneaked out with Pa’s rifles and ended up being I think two of
about twelve fellers with ammo. The rest were getting themselves orientated in
the art of rattling a saber or bayonet loud enough to scare away a seriously better
equipped Union boy should one come riding over yonder. And but they stole our
Minies anyway for so-called ‘professional marksmen’, who in reality couldn’t
hit a cows behind with a shovel if it
walked right in front of ‘em.
That
night we got hiked off to picket duty, which actually wasn’t so bad. Me and
Gilly stationed all clandestine-like, which was just like we used to pretend
play. They gave us a bullet each for emergency recourse and said when all else
fails to fire that Minie then holler n run like a whipped mule. They hiked us
up Little River Turnpike, maybe a quarter-mile up thinking that’d be the road
the Union boys might venture, on the so-called ‘lowest of low chances’ that
there’d be any barnstorming that night. Normally you got a couple dozen or so
on picket duty, but nobody figgered any attack was imminent.
Well
let me tell you it was a god-damned ambush and by all rights should have been a
complete massacre except owing to the fact of the Union boys can’t shoot
neither. Me an’ Gilly were dug in playing Spit when Gilly tells me to shush and
did you hear that. And what we hear sounds like a god-damned stampede of
Savages, I ‘member Pa telling us about the War of the Indians and how you’d
hear ‘em whooping it up from miles away, sounding like they was already all
around you and ready to turn yer noggin into a gruesome headdress. But well
informed of the knowledge that our forbearers had brutally removed most of the Savages
already, Gilly and me figured this was the big Union line finally making a
first push toward Richmond on nearly the eve of Independence Day. A symbolic push to flatten us dissenters. And it
was.
Well
sort of. Gilly yelled a ‘Halt!’ but the words stuck in his barely post-pubic
throat at too high a register, and something went ZING right past his ear, then
little pockets of dirt danced all around us. The hollering got to an unkind
decibel of great proportions and, well, I am ashamed to say I fired my one shot
and then high-tailed it down the Turnpike back to the courthouse as was
strongly suggested. Unfortunately my brother of blood Gilly did not make it
back with me, to which I was unawares until my pulse stopped ringing in my ears
after sufficient time. Before collapsing I squeaked out ‘the enemy is upon us!’
and Capt. Marr, who commanded the Warrenton Rifles, tried to rouse his boys, on
whom you could smell the stench of true fear.
What I
did then was climb the highest tower I could find, of which there was only one
in the courthouse, so as to survey the scene. Except owing to a blanket
covering the stars and moon there was very little light other than the flashes
of rifles and the oily streak of a lantern or two. What I could see was all
chaos punctuated by Capt. Marr’s prodigious yelling, until the yelling
ominously stopped and boys in gray coats started in to flailing about like a
herd of sheep given chase by a coyote. What saved us were the good folk of
Fairfax City, taking battle into their own hands and firing volleys out
darkened windows at the lunatic band of Union boys, whom I have no proof but I
know what a man looks like when he’s riding a horse completely wallpapered, and
these Union boys were drunker than all get out. It’s a wonder they didn’t
slaughter each other with their own wayward volleys.
I want
to say the Union boys made three charges and were repelled each time by the aforementioned superbly pinpointed locals.
Though what they were after I couldn’t clearly tell. There couldn’t have been
more than 20 of ‘em, but they certainly kept the locals busier than a
one-legged man in a butt kicking contest for a few hours. At some point I
collapsed once again in the tower and only woke up when the sun’s rays peeked
over the maples across the Turnpike. What I felt was not pleasure or
gratefulness at being alive. There was no metaphorical attributation of the
sun’s rays being the Lord Himself’s fingers tickling the feeble consciousness
of my mind, or what not.
No, I just felt like a coward.
Plain and simple.
I went down with the other privates
to search the area for Capt. Marr. It took an hour of scourin but we found him
face up in a delicate patch of clover, honey bees buzzin round his ears. His
eyes were still open, absent of that special light and staring off into
whatever awaited him in the middle of the night. His hands were locked stiff
across his breast covering a horrific purpley bloom, but no open wound the eyes
could see. One of the privates speculated an indirect hit, probably even
friendly fire in the chaos of the Union boys’ drunken assault.
I wanted Home and I wanted it bad
but all I could think of was my lost brother and what a coward I’d been the
night before. I took another search party out by our picket station and
searched all up and down without finding any trace of poor Gilly.
You know how the old stories of war
and battle talk about things happening so fast that even with horrific events
there isn’t time sit and let the sadness wash over you? Well that’s a goddamned
lie I’m here to tell you. There is nuthin
but time to sit and reason why; there is also time to do and die, as the poem
goes. Please let it sink in that battle is hour upon hour of boredom punctuated
by the flashes of rifles in the dark and barely time to act at all. It’s all
instinct, and yours truly’s instinct was to cut and run. Then you get nothing
but nightfall to ponder your cowardice.
I volunteered for picket duty this
time, determined to prove some amount of worth to myself at the very least. And
maybe there would be the slim chance of Gilly’s reappearing from behind enemy lines. I had the slimmest of
hopes he was hiding until the cover of dark. So I got out there with my new
pardner, who didn’t have much to say, which is fine by me. I’d rather a silent
sentry pardner than somebody chatterin on and on about their miserable life til
the rooster calls.
In the quiet you got all sorts of
time to have yerself a good think. I thought about how we had disobeyed Pa and
what a wreck he and Ma must have been back at home. I thought about the time
Gilly came back from farmer Payne’s lot with this practically sparkling herb he
called True Divination, and we mixed it into our pipe tobacco then I promptly
went and got Pa’s wagon stuck in Woody’s Creek. Gilly heard me hollerin Help!
Help! due to figurin I’d broken many a bone, the fear catchin me like wild.
Turned out not a thing was wrong with my body and Gilly pulled both me and the
wagon out of the creek like it was nothin.
He always kept his head cool no
matter what was going on, and no matter what might have been churning inside
him. This here is real sad and he never much chattered about it, but he had a
little love fever for farmer Payne’s daughter Millicent for a real long time.
Always took over fresh herbs and vegetables for their family when we had extra
(which was often), but I know it was under the guise of seeing her. Farmer
Payne was always trying to set her up with some needle-nosed suck-up at the
church he ran up the hill, so half the time Gilly went over there some Catholic
numb-nuts was sparkin her up a storm. Then last winter Millie took to a raging
fever and went so quickly it’s like the Lord Himself scrubbed her from life’s
record. Gilly didn’t even have a chance to say goodbye, went over one night to
an empty bed haloed in her fever-sweat.
After that, there was something a little
more tired about Gilly. Like he was there physically but his moorings weren’t
tied so tight anymore. I wish I’d been able to parlez with him but talking
things out was never my strong suit. Things like that’d get me so
uncomfortable, I’d just laugh in a way that isn’t funny and say something like
“Well ‘least now you don’t have to worry about folks givin you guff for being
Millie and Gilly.” Wasn’t too long after that that Gilly, known our whole lives
to hold a skeptical and unpopular brain between his ears on the subject of
religion, started in on joining up the Rebel cause mainly as a way to get a
glimpse of, Gilly’s words, ‘the Lord Almighty Incarnate Himself Gen. Robert E.
Lee.’ Which sounded exactly like the kind of balderdash that farmer Payne would
spout and Gilly would make fun of behind his back.
But love fever is a gravitational
force of its own and puts a man through the mill, especially on account of the
object of your fever practically evaporating before anyone knows what’s going
on. And I’d never been one to question Gilly before and certainly wasn’t about
to in his time of low spirits. Now Gilly was in serious trouble and I needed to
stuff all my courage together and help him.
It was at this point that my silent
sentry pardner gave me a tap on the shoulder and a little “Did you hear that?”
nod of the head in the direction of some woods up the Turnpike. I had in fact
heard a rustling, so the two of us quickly fixed bayonets to go clandestinely
investigate. Odds were it was some type of small animal, or a deer, but my body
was filling with adrenaline hoping I’d get my hands on a Union boy for some old
fashioned redemption.
We plopped down behind some thick
brush and heard the noise again, but this night the moonlight was just strong
enough to make out several figures against the tree line maybe 20 yards away.
My pardner and I gave each other a look and held our ground. This was it, the
second ambush, and one of us needed to warn the camp, except on account of what
happened last night neither of us wanted to leave the other alone. One of the
figures was slowly moving this way while the others seemed to lag back where
they stood. When it got to about 10 yards away I gathered up my courage and
aimed my rifle, shouting, “Halt there! Identify yourself or we’ll open the
ball!” Normally you’d have 30 or 40 guys running a picket so I added a little
bluff to my call-out, “We got a whole line of muskets trained on yer position,
identify yerself!”
But nothing happened. The figure
looked a little unsteady, but was moving even closer despite my warnings. I
didn’t actually have any ammunition, though my pardner did. I told him to cover
me and I went out from my position and started sneakin to where the figure was
moving. I got close enough to where in the moonlight I could see the figure’s
blue coat and kepi hat (ours were rag-tag forage caps). I didn’t know what the
hell this Union muggins was doing but he was just about on my pardner’s
position when the phenomenal crack of
a rifle shattered the night silence and sent me into a momentary conniption. I
charged at the Union boy with the whoop of a savage and got him right in the
bread basket with my pig sticker. A couple more shots rang out as me and the
Union boy sank to the ground. I felt a terrific rush, then terror at the
reality of my actions, that I had actually just charged this countryman of mine
with animalistic fury with the simple aim of ending his life. I felt quite
peaked.
On top of the boy with my bayonet
still lodged under his breast bone, a familiar scent hit me and I immediately
recoiled stronger than any rifle. I dragged the boy over into a little clearing
where the moonlight showed what my heart already knew.
It was Gilly, blindfolded, gagged
and dressed up in a Yankee uniform.
Now they say we’re moving out, that
the actual General Lee everyone seems to believe is some kind of walking deity
is taking us down to Manassas where he’s staging a real build up of Confederate
men with an actual battle plan. Only it’s a bit hard to know if either side
really knows what it is they’re fighting for. Only time’s fullness can tell if
there is something here truly worth fighting for; but right now there’s all
this anguish for what seems like dumb macho pride more than anything else.
All I know now is poor Gilly here,
dying of wounds committed by my hand, just wants a glimpse of the General before
he passes on to wherever it is his girl Millie went. And I’ll be damned if he
slips under before seeing him, even if it strikes me as a notion of insane
proportions. But at least he believed in something before the end.
You hear that, Gilly? Stay with us
just a bit longer, hold on tight brother, the General's comin to take you home again.
31 October 2014
WRONG!
Does anyone remember The McLaughlin Group? I'm sure you do. My parents would put this on when we got home from church on Sunday during that interval between getting home and football being on, and it was pretty much just background noise while we made lunch. All the show's pundits really ever did was yell at each other.
There was something mildly endearing about the show; they yelled at each other but they at least had to do it face-to-face. And they had that rule where the pundits were supposed to yield anytime John McLaughlin spoke. You can tell McLaughlin likes being ridiculous. (Wow, just finding out this show is still on!) There's clearly something that's kept it going for three decades and it isn't just people turning it on for background noise. It was kind of surreal and entertaining to me as a teenager, plus McLaughlin's face looks like a bulldog's.
I think everyone to some degree secretly wants to be their own version of John McLaughlin, and ideology doesn't really matter as long as you yell loud enough. Just about everybody's got an easy way to yell something out and there's a whole mess of websites dedicated to telling us what certain people yelled. I suppose it's kind of always been this way at least on some level, but there's something dark beneath the excess of it all.
Please feel free to tell me that I'm just getting older and that things aren't always what they seem, but here's a thought: in the time before Mega-Internet's 24-hour social media/fake news and the 1 Million ways to Personalize every aspect of everything, the majority of issues/stories that rose to national attention seemed a bit more important. Sure you'd get hyper-media stuff like OJ Simpson's car chase, or Marv Albert being insane and biting women, or whatever, but things like that in national media weren't a daily occurrence.
Now there's more like an hourly occurrence of something made to seem vital to your experience as a human, somebody shouting their very firm beliefs, somebody else shouting back. Yesterday's NY Times made me laugh out loud with the headline "Maine Nurse Goes for Defiant Bike Ride" -- sure Ebola's important, but until we've got shorelines crawling with infected folks I don't think I need to know the hourly whereabouts of somebody who might not even have the disease. Look at this shit; this got feature story billing for a bit:
"She rode down a quiet paved road with her boyfriend, Ted Wilbur, followed closely by the police and a caravan of reporters. The couple rode less than a mile, then turned onto a graded gravel trail on a former railroad right of way flanked by pines. Ms. Hickox and Mr. Wilbur, wearing jackets in the crisp Maine morning, returned to the house an hour later."
The crisp Maine morning! Man that is stupid. That piece got two by-lines, by the way.
But on to the darker thing: regular ol' folks getting their random doings somehow published all over creation gives false hope to this weird desire we all have to be famous. That dang woman Hickox got her defiant bike ride covered! Then the universe starts to shrink and the possibility of me, me, me being at the center of everything seems somehow stronger. The carrot is just about in reach. All I have to do is be a little more opinionated, daring, or outrageous and everyone might watch me, too! Then everything will be OK.
But most people won't get noticed, at least not in the way they're hoping. Then there's a nasty letdown and really important things get pushed aside. It's a little hard to see where this all leads; it's not like it's necessarily bad to be entertained, but to be made to feel like you're not successful if enough people aren't watching/reading what you're doing is deeply sad.
My great hope is that it leads to whole swaths of people getting phenomenally bored with this lukewarm entertainment. I think it's already starting to happen, though I don't have any firm data to present. It's just a feeling. Everything looks a little upside-down at the moment, but it's a welcome new perspective. It's a good time to not really give a shit and do whatever you want; maybe nobody's looking but I think that's all the better. It definitely feels more real that way, and if nobody's listening you don't have to yell.
'Til next time; bye-BYYYE.
I think everyone to some degree secretly wants to be their own version of John McLaughlin, and ideology doesn't really matter as long as you yell loud enough. Just about everybody's got an easy way to yell something out and there's a whole mess of websites dedicated to telling us what certain people yelled. I suppose it's kind of always been this way at least on some level, but there's something dark beneath the excess of it all.
Please feel free to tell me that I'm just getting older and that things aren't always what they seem, but here's a thought: in the time before Mega-Internet's 24-hour social media/fake news and the 1 Million ways to Personalize every aspect of everything, the majority of issues/stories that rose to national attention seemed a bit more important. Sure you'd get hyper-media stuff like OJ Simpson's car chase, or Marv Albert being insane and biting women, or whatever, but things like that in national media weren't a daily occurrence.
Now there's more like an hourly occurrence of something made to seem vital to your experience as a human, somebody shouting their very firm beliefs, somebody else shouting back. Yesterday's NY Times made me laugh out loud with the headline "Maine Nurse Goes for Defiant Bike Ride" -- sure Ebola's important, but until we've got shorelines crawling with infected folks I don't think I need to know the hourly whereabouts of somebody who might not even have the disease. Look at this shit; this got feature story billing for a bit:
"She rode down a quiet paved road with her boyfriend, Ted Wilbur, followed closely by the police and a caravan of reporters. The couple rode less than a mile, then turned onto a graded gravel trail on a former railroad right of way flanked by pines. Ms. Hickox and Mr. Wilbur, wearing jackets in the crisp Maine morning, returned to the house an hour later."
The crisp Maine morning! Man that is stupid. That piece got two by-lines, by the way.
But on to the darker thing: regular ol' folks getting their random doings somehow published all over creation gives false hope to this weird desire we all have to be famous. That dang woman Hickox got her defiant bike ride covered! Then the universe starts to shrink and the possibility of me, me, me being at the center of everything seems somehow stronger. The carrot is just about in reach. All I have to do is be a little more opinionated, daring, or outrageous and everyone might watch me, too! Then everything will be OK.
But most people won't get noticed, at least not in the way they're hoping. Then there's a nasty letdown and really important things get pushed aside. It's a little hard to see where this all leads; it's not like it's necessarily bad to be entertained, but to be made to feel like you're not successful if enough people aren't watching/reading what you're doing is deeply sad.
My great hope is that it leads to whole swaths of people getting phenomenally bored with this lukewarm entertainment. I think it's already starting to happen, though I don't have any firm data to present. It's just a feeling. Everything looks a little upside-down at the moment, but it's a welcome new perspective. It's a good time to not really give a shit and do whatever you want; maybe nobody's looking but I think that's all the better. It definitely feels more real that way, and if nobody's listening you don't have to yell.
'Til next time; bye-BYYYE.
24 October 2014
It's a liar...so everything it says is a lie.
Today I almost threw caution to the wind and submitted a very short thing I wrote to this new...thing; I'm not sure what to call it other than a Website:
www.really-short-stories.com
Short stuff is wonderful. In more recent memory, a fantastic short story by George Saunders called "Sticks" in his collection Tenth of December was one of my favorite things consumed in 2013. Gabriel Garcia Marquez's very short novel Chronicle of a Death Foretold is tied in my mind with Crime and Punishment as the coolest thing I read junior year in high school. Some of those Pixar short films they show before the full deal movie are nearly as good as the full feature.
So it's not really about length (haaa), right? It's about what you say; the ol' cliche, which turns out to be unequivocally true.
But boy does this website suck. They talk about wanting to compete with Buzzfeed lists and Vine videos; that's like putting a raw onion in the candy bar aisle. They call it Short Fiction for the A.D.D. Generation, and go on to say, "No, this won't be exactly like getting published, so think of it more as contributing to a collective of young writers looking to create fiction that your peers will actually read in it's [sic] entirety."
So you're gonna bash a whole generation for not reading--then ask them to read? I'm pretty sure the folks running this site don't really read too much either. If they did, they would know that the American short story is doing just fine. There's something like a billion and a half literary journals out there now and you have to just, you know, read and find the good stuff. Turns out when you do even a little exploring, there's plenty of brilliant writing to go around. All lengths and sizes are represented in wonderful ways (heeeee).
Besides, the real competitor to Buzzfeed doesn't even give a shit; and knocks short stuff out of the park anyway.
And, hey, my own short thing is getting longer! (Is this bad joke getting old?) Not too long, though, and when it's done I'll probably post it here instead of submitting to some grubby website that wants to compete with tabloids.
But while you're here, check out another drum video I did a month or so ago and forgot to post:
www.really-short-stories.com
Short stuff is wonderful. In more recent memory, a fantastic short story by George Saunders called "Sticks" in his collection Tenth of December was one of my favorite things consumed in 2013. Gabriel Garcia Marquez's very short novel Chronicle of a Death Foretold is tied in my mind with Crime and Punishment as the coolest thing I read junior year in high school. Some of those Pixar short films they show before the full deal movie are nearly as good as the full feature.
So it's not really about length (haaa), right? It's about what you say; the ol' cliche, which turns out to be unequivocally true.
But boy does this website suck. They talk about wanting to compete with Buzzfeed lists and Vine videos; that's like putting a raw onion in the candy bar aisle. They call it Short Fiction for the A.D.D. Generation, and go on to say, "No, this won't be exactly like getting published, so think of it more as contributing to a collective of young writers looking to create fiction that your peers will actually read in it's [sic] entirety."
So you're gonna bash a whole generation for not reading--then ask them to read? I'm pretty sure the folks running this site don't really read too much either. If they did, they would know that the American short story is doing just fine. There's something like a billion and a half literary journals out there now and you have to just, you know, read and find the good stuff. Turns out when you do even a little exploring, there's plenty of brilliant writing to go around. All lengths and sizes are represented in wonderful ways (heeeee).
Besides, the real competitor to Buzzfeed doesn't even give a shit; and knocks short stuff out of the park anyway.
And, hey, my own short thing is getting longer! (Is this bad joke getting old?) Not too long, though, and when it's done I'll probably post it here instead of submitting to some grubby website that wants to compete with tabloids.
But while you're here, check out another drum video I did a month or so ago and forgot to post:
02 July 2014
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